![]() There are other uses for this type of font but that is the main audience I was focusing on. The stencil elements serve to make it possible for text to be routed out of metal without the lettering falling through on closed bowls. I needed to make a functional font for drafting designs to work with metal, for one. Then, I decided to take another look at exactly why I was building this font. I had begun several versions but wasn’t happy with them for one reason or another. Deciding where to make the breaks, where to open the bowls, whether to place unnecessary breaks for the sake of design, etc. The design elements have proven to be more of a challenge than you might imagine. ![]() ![]() I’ve put this project down and come back to it so many times! Then I did some freelance work with a software company to design one for their program, and it gave me the motivation to pick this project back up again and analyze it. I’ve been toying with some stencil font options for the past couple of years. And be sure to download the two PDF files one is a guide to help with which font to select, and the other puts all of the 200+ alternates, ligatures, and extras at your fingertips!Īlso, note: these are going to look really, really weird in the font previewer up above.Have you ever noticed how many different, common stencil font designs are out there? It’s surprising! They are all so unique and fun to work with. Please ensure you're familiar with single-line and hairline fonts before purchasing. So I've included an SVG of the characters as well, which includes all of the alternates and ligatures! I've tested this in Canvas, and it imports fast and clean. Update : Due to issues with Brother Canvas Workspace, I cannot guarantee that my hairline fonts will work in that program Canvas is apparently very finicky with these fonts. These fonts have been tested in Cricut Design Space, Silhouette Studio Designer Edition, Adobe Illustrator CC, Inkscape, CorelDRAW, Affinity Designer, and Rhinoceros 6. The other is a guide to single-line and hairline fonts (they're two different things), which can help you use them in a variety of programs, and help you figure out which format will work best for you. One has the alternates, ligatures, and extras right in it, so you can use it instead of a secondary program like Font Book or Character Map to copy and paste. I've included a couple of handy PDF documents as well. You can even use these fonts in vector programs like Adobe Illustrator, CorelDRAW, Affinity Designer, Inkscape, and more! Just apply a stroke and not a fill, and you can make the font as heavy or light as you like, then expand the text to outlines! Dear Agatha Sans is a perfectly paired sans-serif, also with the full Basic Latin and Latin-1 sets!Įven though these are TTF files, all of the alternates are OpenType coded and PUA-encoded, for easy access in a ton of programs. Not sure which format you need? You can download and install both!ĭear Agatha is a connecting script font, with over 200 alternates, ligatures, and extras for variety! It also includes the full Basic Latin and Latin-1 character sets, so you have plenty of punctuation and a number of accented letters for language support. Both fonts come in both a single-line version and a hairline version different software programs will use different formats. They're meant for a sketch pen, foil quill, engraving tool, infusible ink pen, or any other stylus or nib that draws letters with a single line instead of an outline. Single-line and hairline fonts aren't your ordinary fonts they can't be used for word processing, printing, or cutting. Introducing Dear Agatha, a single-line and hairline font duo! You get a fun cursive font with tons of alternates and extras, and an all-caps sans-serif for easy pairing.
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